Welcome to SYNC GALLERY

931 Santa Fe Drive, 80204. In Denver's Art District on Santa Fe.


Monica Hokeilen

931 Santa Fe Drive, 80204. In Denver's Art District on Santa Fe.
A premiere gallery located in the
Arts District on Santa Fe Drive in Denver Colorado
known nationally for its arts and culture.
Thursdays: 1pm - 4pm
(3rd Friday 1-9pm)
Fridays: 1pm - 4pm
(1st Friday 1-9pm)
Saturdays: Noon - 5pm
Sundays: 1pm - 4pm
(Last Sunday of the month 11-3pm)
or by appointment with individual artists.
SYNC Gallery presents
ACT TWO
by
Debra F. Livingston & Karen Wharton
March 20th through April 13th, 2025
OPENING RECEPTION: FRIDAY March 21, 2025, 6 PM to 9 PM
Intro to Book Arts- presented by Debra F. Livingston
Free Talk / Demo / Mini Workshop
Sunday March 30th 11:00-12:00
Artists books are works of art that take the form of a book.
During this hour session we will discuss many ways to make
a book. There will be the opportunity to make a 3-hole
stitched pamphlet and an accordion book.
All materials will be provided for free.
Please register before 3/25 dflivingston@gmail.com
Karen Wharton will give an artist’s talk at the gallery on
Saturday, April 5 at 2:00 pm.
Karen will discuss her abstract mixed media paintings
on display in the current “ACT TWO” show.
She will talk about her history, her reasons for making art,
her art-making methods, and current themes in her work.
The talk is open to the public, and no reservations are required.

Artist

Artist
Debra F. Livingston:
Act Two- Repurposed Prints
In Act One of my artistic life, I was a printmaker. I created etchings, monotypes and monoprints using oil-based inks on 100% rag paper with the use of an etching press. Monoprints and monotypes are both unique works of art. Many of my monoprints were printed with zinc etching plates or stencils, varying the colors and textures each time. My monotypes were created on a blank plexiglass plate, so none of the elements were reproducible.
I have come to the point in my life where (that) I don’t want to add more “stuff”. I have over 40 years of prints and I don’t feel the need to make more. In ACT TWO my artistic goal is to repurpose these prints into new works of art.
I brought many of my old etchings and monotypes to life drawing sessions. Using watercolor crayons, I drew the figure over the prints. I then worked to meld them together to create a new piece of art. I also brought prints to an encaustic workshop. The colored wax layered over them created a whole new surface.
I have always enjoyed creating handmade books. The accordion fold format is one of my favorites, because it can be seen as separate pages or as one continuous image. I included the book Etching Covers, in this exhibition to show how the monoprints collaged in this book originated. This same accordion fold was used to add 3 dimensions to my collaged prints. The colors change slightly when seen from different angles.
ACT TWO is my second year exhibiting at Sync gallery. I look forward to seeing how my artistic play continues.
Karen Wharton:
The hand-printed collage papers in my paintings have interesting “first lives” as individual, unique displays of colors and patterns. The papers have an even more interesting “second act” when I shape and arrange them, sometimes adding and removing paint, to reflect the beauty I experience in the world.
The rhythms of circles captivate me. Natural round shapes like bubbles, seeds and tree rings surround us, as well as invisible circular systems—rainfall and evaporation, growth and decomposition and growth again.
After a 35-year career as an eye doctor, I turned to art with glee. My own “Act One” focused on helping people see the beauty around them. In my “Act Two,” I want my art to contribute to that beauty, in our homes and workplaces and public spaces. I want to help you feel happy to be here, alive!
Debra F. Livingston - Man from Behind


Karn Wharton - Osmosis 2
SYNC Gallery presents
New Works
by
Tiana Graves and Alexa Elliott
April 17th through May 11, 2025
OPENING RECEPTION: FRIDAY April 18th, 2025, 6 PM to 9 PM

Artist

Artist
In Everything Must Go, Tiana Graves' photographs capture the quiet unraveling of a life
during an estate sale, where personal belongings become artifacts of the past. Oncecherished
objects, rich with unknown stories, are examined, priced, and dispersed,
shifting from intimate to impersonal. These time-capsule portraits explore the tension
between memory and transaction, revealing the fleeting nature of ownership and the
traces we leave behind. What becomes of life when reduced down to its possessions?
In Alexandra Elliott's New Works, she considers the concepts of re-creation and
resurrection of brokenness. She works in the medium of broken glass and watercolor on
canvas and likes to challenge the concept of beauty and wholeness by creating abstract
works with what most would consider objects that are no longer useful. Through her
work, she is greatly inspired by the Japanese concept of Wabi- Sabi or the ‘embracing
of the flawed or imperfect’. Alexandra believes that no matter how broken, with proper
attention anything can be transformed into something more beautiful than before. She
hopes that others may subjectively feel the essence of Wabi- Sabi and be able to look
at art and the world as a whole through a unique and ever questioning lens.
Tiana Graves -- Dining Room Sale #2, -- Chromogenic Print with collaged price stickers -- 16’’x 16’’

